In this paper, I map out an analysis of two queer films: Bruce LaBruce’s The Raspberry Reich (2004) and Ulrike Ottinger’s Freak Orlando (1981). I examine both films’ representations of revolutionary desire and contextualize these images within the framework of the antisocial turn in queer theory.
The PPPE worked to encourage student participation in politics, and during the 1960s, was one of Grinnell’s largest and most successful extracurricular programs.
While we, as citizens of the world, are better off in a less belligerent international environment, the population of the former Soviet Union is now suffering through a difficult period of social, economic and political upheaval.
Digital graphic score (6 pages) for "Anticipation," an original composition for 5 MIDI marimbas and synthesizer. An audio recording of the composition is also available on SoundCloud. https://soundcloud.com/zackstewart-audio/anticipation
