Search results | Digital Grinnell

Title: Cycles
Description: Consists of the Music 495 Senior Project proposal and the products of the project including the program from the public performance, movies, photos, music and text.
PID: grinnell:3859

Title: Dona nobis pacem
Description: Program from concert on December 9, 2006, with works by Ralph Vaughan Williams, Britten, Tormis and Gorecki.
PID: grinnell:3480

Title: Guide to prairie sites near Grinnell, Iowa
Description: The Center for Prairie Studies at Grinnell College has prepared this brochure to help those wishing to visit prairie sites near Grinnell. The prairie blooms from May to October. Different species flower at different times, so repeat visits during a growing season will be rewarded with an ever-changing palette of colors. No two prairies will have the same mix of species.
PID: grinnell:315

Title: Historical Changes in the Skunk River Channel
Description: This project characterizes the historical changes to the channels of the North and South branches of the Skunk River.
PID: grinnell:3416

Title: Landscapes of affect : exploring the concept of safe space and identity formation at Grinnell College
Description: Explores issues of identity formation at Grinnell College during the years 2007-2010 during which time several homophobic incidents took place.
PID: grinnell:3418

Title: Managing the Faithful: The Internal Labor Market of the Roman Catholic Church.
Description: Exploration of the Catholic Church’s promotional ladder how its level of theological flexibility effect the ability to adjust to changing market conditions.
PID: grinnell:113

Title: Music and Metaphor: Legacies of Representation in Abstract Instrumental Music
Description: Understanding why critics’ responses to Beethoven and to Schoenberg were so different lies in recognizing the commonality of the critics’ approaches.
PID: grinnell:114

Title: New Queer Cinema Today: Film and the critique of neoliberalism
Description: In 1992, B. Ruby Rich coined the term New Queer Cinema to describe a cycle of films in the late 1980s and early 1990s that broke with conventional cinematic practices to show rethought subjectivities, generic subversions, and revised histories. New Queer Cinema, however, saw little of the same bursts of innovative directors and their films after 1992. This lag in revolutionary filmmaking left many evaluating queer cinema’s current state, even mourning the supposed end of New Queer Cinema. In this paper, I argue that queer filmmaking is not void of revolutionary potential; it is more that the driving force behind these films has changed. Instead of acting in opposition to a conservative government that failed to respond to the AIDS crisis, current queer work resists the normalizing effects of today’s neoliberal government. A cycle study of recent queer films reveals this driving revolutionary force.
PID: grinnell:3419