Search results | Digital Grinnell

Title: Historical Changes in the Skunk River Channel, North and South forks of the Skunk River, 1832-2004
Description: This project characterizes the historical changes to the channels of the North and South branches of the Skunk River.
Date Created: 2009
PID: grinnell:3416

Title: Landscapes of affect : exploring the concept of safe space and identity formation at Grinnell College, Exploring the concept of safe space and identity formation at Grinnell College
Description: Explores issues of identity formation at Grinnell College during the years 2007-2010 during which time several homophobic incidents took place.
Date Created: 2010
PID: grinnell:3418

Title: Managing the Faithful: The Internal Labor Market of the Roman Catholic Church, Internal Labor Market of the Roman Catholic Church
Description: Although economists in recent years have begun to apply economic theory to the activities of religious organizations, very few have ventured deeply into the realm of the Roman Catholic Church and almost none have considered the confluence between Internal Labor Market Theory and the promotional job ladder for ordained Catholic clergyman. This analysis explores the implications of the Catholic Church’s internal promotional ladder on its level of theological flexibility and hence its ability to adjust to changing market conditions. Specifically, by treating the Catholic Church as an organization subject to many of the same market forces as ordinary business firms, the research presented in this analysis shows how much of the “crisis” the church is confronting in the modern era—such as the rapid decline in the number of priests—can be explained by microeconomic structures that have developed over the past two millennia. At the broadest level, this analysis offers a new paradigm for viewing resistance to change in the church and provides a model for understanding the long-term implications of inflexibility on the viability of the church as an institution.
PID: grinnell:31983

Title: Music Department Applied Studios Student Recital, Student Recital
Description: Concert program for recital on December 7, 2006. Holly Edlin, organ; Bryan Williams, trombone; Louis Gulino, piano; David Churchman, piano; Victor Colussi, violin; Rebecca Mwase, mezzo soprano; and Ben Kim, piano.
Date Created: 2006
PID: grinnell:4238

Title: Music Department Applied Studios Student Recital, Student Recital
Description: Concert program for recital on October 26, 2006. Nora Shields, flute; Natti Tipayamongkol, piano; Seungmae Seo, violin; Hannah Yourd, piano; Molly Dahlberg, soprano; and Ben Kim, piano.
Date Created: 2006
PID: grinnell:4237

Title: Music Department Applied Studios Student Recital, Student Recital
Description: Concert program for recital on November 30, 2006. Elena Rubin, mezzo soprano; Lindsey Martin, piano; Rebecca Mwase, mezzo soprano; Ben Kim, piano; Harsha Sekar, banjo; Christopher Farstad, guitar; Katherine Jarvis, vocals; David D’Angelo, tenor; Hannah Yourd, piano; Katherine Jarvis, alto; Allie Kieffer, piano; Emma Jerndal, flute; Patrick Busch, piano.
Date Created: 2006
PID: grinnell:4235

Title: Music Department Applied Studios Student Recital, Student Recital
Description: Concert program for recital on November 21, 2006. Erin McBurney, soprano; Ivy Hsieh, piano; Maggie Johnson, flute; Allie Kieffer, piano; Laura Glapa, mezzo soprano; Brian Ewing, piano; Katherine Jarvis, alto; Ali Conlon, alto; and Gabriel Espinosa, piano.
Date Created: 2006
PID: grinnell:3598

Title: Music Department Applied Studios Student Recital, Student Recital
Description: Concert program for recital on November 2, 2006. Seungmae Seo, violin; Hannah Yourd, piano; Scott Slinker, violin; Allie Kieffer, piano; Caitlin Monaghan, soprano; Brian Ewing, piano; Chris LeBailly, piano; and Amelia Randich, clarinet.
Date Created: 2006
PID: grinnell:4234

Title: Music and Metaphor: Legacies of Representation in Abstract Instrumental Music, Legacies of representation in abstract instrumental music
Description: Understanding why critics’ responses to Beethoven and to Schoenberg were so different lies in recognizing the commonality of the critics’ approaches.
Date Created: 2007
PID: grinnell:114