Search results | Digital Grinnell

Title: A Mandate for Hypocrisy: The Black Studies Major at Grinnell College, Campus Culture Wars, CBS Manifesto of 1971
Description: This is an essay chronicling the history of the black studies major at Grinnell College, with an emphasis on the reasons it had such a short career. It also provides an overview of the CBS (Concerned Black Students) Manifesto of 1971.
Date Created: 1997
PID: grinnell:4958

Title: Access to Living Donor Kidney Transplantation in Nepal
Description: Disparities in access to care are greatly amplified in a developing country like Nepal due to social factors such as gender, ethnicity, and socioeconomic background.
Date Created: 2017
PID: grinnell:18504

Title: Adivasis and the Two Faces of Violence: Emergence of the postcolonial Indian State
Description: This essay investigates the epistemic and physical harms committed against the Adivasis (tribes) of Chhotanagpur by the early postcolonial state.
Date Created: 2022
PID: grinnell:31980

Title: Against reason: Anti/Enlightenment prints by Callot, Hogarth, Piranesi, and Goya : April 3-August 2, 2015, Faulconer Gallery,, Anti/Enlightenment prints by Callot, Hogarth, Piranesi, and Goya : April 3-August 2, 2015, Faulconer Gallery, Bucksbaum Center for the Arts, Grinnell College
Description: "Published on the occasion of the exhibition, "Against reason: anti/enlightenment prints by Callot, Hogarth, Piranesi, and Goya. 3 April-2 August 2015"--Title page verso."
Date Created: 2015
PID: grinnell:12521

Title: Beginner's Field Guide to Grinnell and its Environs
Description: A field guide to the natural environment of the Grinnell area.
Date Created: 2006
PID: grinnell:1676

Title: Biopolitics, Gendered Nationalism, and Abortion: The Influence of the Catholic Church in Poland and Ireland
Description: Poland and Ireland each have some of the world's most restrictive abortion legislation, with abortion being nearly if not entirely criminalized in both countries. The Catholic Church filled a nationalist role, setting the stage for each country to become a modern theocracy.
Date Created: 2017
PID: grinnell:18757

Title: Bob
Description: Poem.
Date Created: 2010
PID: grinnell:3413

Title: Brian Ewing '07 piano recital, Piano recital, Student recital
Description: Concert program for piano recital on December 3, 2006.
Date Created: 2006
PID: grinnell:3475

Title: Cello recital, Student recital
Description: Concert program for cello recital on December 8, 2006.
Date Created: 2006
PID: grinnell:3476

Title: Critical Fabulation for Survival: Knowledge of Pre-colonial Gender in Igbo Culture to Sustain Queer Imaginings of Care
Description: Through legislation and social code, modern-day Nigeria has become a hostile and dangerous country for queer people. As a queer person of the Nigerian diaspora, I struggle to hold both my “queer” and “Nigerian” identities because they seem contradictory. In this paper, I detail my journey reckoning with these two seemingly dissonant parts of my identity. In my endeavor to find communal belonging in Nigeria and its diaspora, I turn to the archive of pre-colonial Nigeria to discover if the nation of my ancestry was always hostile towards queer people. In particular, I try to uncover the violence British colonialism introduced to Nigeria. In this paper, I draw on the work of Saidiya Hartman to contextualize and guide my research and archivally-driven quest for belonging. As I have matured into myself, I have grappled with the intersections of my Nigerian-American and queer identities. Recently, I learned how Saidiya Hartman's "critical fabulation," a method for being attuned to and coping with archival gaps, can be a tool for survival when multiple realities conflict (Hartman, 2008). I practice critical fabulation in my venture to grapple with my “contradicting” identities by researching and drawing on the history of gender in Nigeria to imagine a more inclusive nation. Further, in this essay, I co-opt W. E. B. Du Bois’ framework of double consciousness to describe the internal conflict I feel regarding the friction between my Nigerian heritage and my queer identity because of the violence modern-day Nigeria inflicts upon queer people (Du Bois, 2007). Throughout this auto-ethnography, I discuss my double consciousness that stems from the intersectional oppressive structures in my life, such as patriarchy, transphobia, and homophobia. Additionally, in this paper, I demonstrate how the act of critical fabulation allows me to reconnect with myself and my (pre-colonial) Nigerian heritage to imagine and create spaces where queer Nigerians and I can belong (Hartman, 2008, p. 11).
Date Created: 2023
PID: grinnell:34246