A statement of student initiative, plan and background information surrounding efforts to make permanent the postion of Environmental Coordinator at Grinnell College.
In this paper, I map out an analysis of two queer films: Bruce LaBruce’s The Raspberry Reich (2004) and Ulrike Ottinger’s Freak Orlando (1981). I examine both films’ representations of revolutionary desire and contextualize these images within the framework of the antisocial turn in queer theory.
