Search results | Digital Grinnell

Title: Portrait
Description: This piece aims to honor the service of black and Haitian military men. When considering the Haitian Revolution we often tell the stories of men such as Toussaint L'Ouverture, one of too few symbols of black military power. This block places a black military leader at the center of attention, and also aims to connect his story with slavery in Haiti, America, and beyond. In this block, the image of the Haitian militia man appears beside an illustration of a cotton plant. Although slavery in Haiti was fueled by sugarcane, not cotton, an image of a cotton plant is placed here to remind the viewer that slavery is and shall remain a hallmark of American history, and issues of injustice in the military still occur today. When we consider the history of the transatlantic slave trade, we do not often think of its impact on how black people are treated in the military. Erased from history and celebration, black bodies were catalogued as equipment much like weapons and protective wear. While great progress has been made since the abolition of slavery and the integration of the military, we still have a long way to go in our quest for equal treatment of people of color as well as gay and transgender people in the military.
Date Created: 2017
PID: grinnell:25490

Title: Score for Anticipation
Description: Digital graphic score (6 pages) for "Anticipation," an original composition for 5 MIDI marimbas and synthesizer. An audio recording of the composition is also available on SoundCloud. https://soundcloud.com/zackstewart-audio/anticipation
Date Created: 2017
PID: grinnell:18970

Title: Score for Vignettes
Description: Digital graphic score (1 page) for "Vignettes," a composition for three saxophonists combining Soundpainting with live improvisation derived from players musically interpreting the score's imagery. A video recording of the score's performance at Smith Gallery on March 6, 2017 is also available on YouTube and Vimeo. https://www.youtube.com/watch?v=UnVfYQnHhu4
Date Created: 2017
PID: grinnell:18969

Title: Student Handbook, 2017-2018
Description: Grinnell College Student Handbook, 2017-2018
Date Created: 2017
PID: grinnell:26456

Title: The Father of Grinnell
Description: Grinnell’s history in relation to slavery often points to the man pictured in this block. J.B. Grinnell was a known advocate of abolition, and founded the very town of Grinnell on anti-slavery principles. He worked with the Underground Railroad to help slaves escape to Canada and served in Iowa’s Congress, even though his views on abolition made him quite unpopular amongst many Midwesterners. In the process of researching the life of J.B. Grinnell, the creator of this block was directed to a letter written by L.F. Parker describing an “incipient mob” driving five fugitive slaves out of the town of Grinnell. This letter encourages us to unpack the many layers of white abolitionist intention, and make distinctions between theory and action. While J.B. Grinnell had clearly intended for his town to be a space to live the tenets of the abolitionist movement, in practice this was not always the case. By showcasing this story, the artist urges viewers to contemplate the many phases and evolutions of freedom and abolition, knowing that good intention has yet to be enough.
Date Created: 2017
PID: grinnell:25487

Title: The Fire
Description: On August 16th 1791, in the eleventh month of the Haitian Revolution, slaves from the Limbé district set fire to a wealthy French estate. During their subsequent interrogation they revealed the names of rebellion leaders, further advancing the story of the revolution. As the story of the rebellion spread over the island, slaves vowed to burn as many plantations as possible. Fiery acts such as these became more common as the revolution gathered steam, harming humans and animals alike and leaving the once beautiful Haitian landscape black and smoldering. In this block, the artist has used fake flower petals, red marbles, and enlarged images of orange microscopic organisms to create the sensation of heat and flames while also incorporating allusions to nature. The block revolves around an image depicting a burning plantation and a rioting mass of people running with arms raised, a scene from the 1791 revolt. On the left, a figure wearing a crown hangs from a tree, perhaps symbolizing the persecution of the Haitian people at the hands of French colonists.
Date Created: 2017
PID: grinnell:25506

Title: The First Meeting
Description: This piece aims to juxtapose Iowa’s progressive aims with its oppressive past. The centerpiece of this block is a poster publicizing an anti-slavery meeting which took place in Iowa. While anti-slavery meetings such as this one were necessary in the push towards abolition, the artist urges Iowans to explore their state’s relationship to slavery on a deeper level. The artist has incorporated chain-like strands of metal to symbolize the bondage of enslaved peoples, and depictions of genetic material captures the implications of slavery for actual living organisms. While Grinnellians may sometimes put their town on a pedestal for its historic abolitionist position and refusal to join the Confederate Army, this block calls attention to the pain and suffering that still occurred in this state at the hands of racism and white supremacy.
Date Created: 2017
PID: grinnell:25483

Title: The Greatest Lie
Description: This block was created around the theme of agriculture, an industry inextricably linked to slavery in both the Caribbean and the United States. To echo themes of agriculture, the artist included images of the cotton plant, as well as organic shapes which resemble flowers, seeds, and other found natural objects. Corn kernels, buttons, and leaves unite the realms of the home and the outdoors, as was often the case on a working plantation. The center photograph depicts slaves on a cotton plantation engaging in agricultural work, however the workers are not in motion but are posted in a triangular composition facing the photographer. The second photograph is also from a plantation, yet the subjects are household workers as opposed to field hands. These images both show life on the plantation, but only to an extent; they are purposefully arranged and therefore tell a very different story than a candid photograph might tell. These juxtaposed images are symbolic representations of the censorship applied to stories of slavery in American culture and education.
Date Created: 2017
PID: grinnell:25488

Title: The Journey
Description: This block was created around the theme of the journey. We all go through different journeys in our lives, some longer and more challenging than others, but every journey is important and demands courage and strength. This block honors those who were challenged by a specific journey unique to American history and relevant, even more specifically, to the state of Iowa; the story of the Underground Railroad. This block is comprised of a map of the Underground Railroad in the South, framed by a smattering of screws, pill capsules, buttons, stars, and other found objects. It also includes a photograph of the Lewelling House, a popular anti-slavery meeting house and renown safe stop on the Underground Railroad in an area of the Midwest particularly unfriendly to slaves and freed blacks during the years before the Civil War. Although the area of the South portrayed in the map is, of course, miles from the Lewelling House, the experience of black people in America is part of our entire country’s history, not just the areas most ravaged by institutional slavery and injustice. Although we often associate slavery with the American South, we must not forget that slavery was a national issue which demanded the attention of every city, small town, and individual, much like issues of racism still demand every person’s attention, no matter their race, today. The strewn nails and capsules surrounding the images in this block allude to journeys of different kinds, both physical and emotional. As our eyes follow the paths drawn by these loose objects we may be reminded of journeys we have taken in our own lives.
Date Created: 2017
PID: grinnell:25495

Title: The Lewelling House
Description: The goal of this block is to awaken in the viewer the historical ache that is the legacy of slavery in Iowa. Superimposed over an image of Iowa is a road map of the Underground Railroad, with squares and circles placed along the routes to indicate safety for runaway slaves. In the upper right hand corner of the state the artist has placed an image of the Lewelling house of Henry County, Iowa, a meeting place for abolitionist activists and one of the stops on the Underground Railroad. The stones and flowers which surround Iowa, vibrant and glimmering, allude to the power of preservation. With preservation in mind, we must ask ourselves: How can artists and activists revisit the historical bondage of our ancestors while attempting to move onwards to freedom? J.B. Grinnell founded Grinnell with abolition as one of his key tenets. As we peer into the history of Iowa we confront the question of whether Grinnell College continues to protect the freedom of the individual, or whether we have fallen into neoliberal agendas that serve our oppressors. The evocation of discomfort through the topic of slavery serves as a reminder of the necessity to reimagine the realities of imperialism within and without the U.S.
Date Created: 2017
PID: grinnell:25482