- Grinnell (Iowa) (x)
- Northern Expedition, 1926-1928 (x)
- United States (x)
- 2015 (x)
- Student Scholarship (x)
- Fenster, Kathryn (author) (x)
- text (x)
- Abolition (x)
- Search results
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Title
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Foundations
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Description
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When confronting the reality of plantation slavery in America, aspects of life which seemed normal in the early 1880’s are often difficult to conceptualize today. In this block, the artist calls attention to the tradition of child raising, in which slaves were given the task of nursing and raising their master’s progeny. It seems counter-intuitive that one could believe a slave so unworthy of human dignity, yet at the same time entrust them with the life of their child. In this block, a portrait of a slave with their master’s baby is framed by a pattern comprised of enlarged images of a human cell, encouraging a contemplation of the hypocrisies present in the theoretical foundations of slavery, including the supposed biological and intellectual inferiority of black people. Most often, slaves bore responsibilities foundational to the prosperity and functioning of their owners; they were worthy of motherhood but not the recognition of full humanity. By featuring a female-bodied slave in this block, the artist also pushes the viewer to contemplate the highly gendered nature of slave work and how it reveals inconsistencies in the theoretical foundations of racial superiority in America.
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Date Created
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2017
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PID
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grinnell:25493
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Title
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Gospel Truth About the Negro Spiritual
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Description
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Negro spirituals are songs created by the Africans who were captured and brought to the United States to be sold into slavery. This Lecture-Recital was presented by Randye Jones, Soprano & Researcher; assisted by William Tinker, Piano, at Grinnell College, Grinnell, Iowa, Tuesday, November 13, 2007
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Date Created
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2007
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PID
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grinnell:63
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Title
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Loving v. Virginia
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Description
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In 1967, the Supreme Court of the United States unanimously voted to dismantle all state laws prohibiting intermarriage, overriding legal restrictions based on race written in 1883. In this block, created by studio assistant Leina’ala Voss, the first page of the Loving v. Virginia court transcript serves as a partial background on which two rings and a set of keys have been arranged; these objects symbolize the bond of marriage and evoke the feeling of a shared home. To the left of the court transcript the artist has placed a net, surrounded by metal nails, buttons, and fragments of colored flowers. Beneath the netting the words “race mixing is communism” appear as a headline above an image of a white protester, his face concealed behind dark sunglasses. This image is juxtaposed against a photograph which shows laughing children and their parents, innocent and unbothered by the chaos which surrounds them. By placing symbolic objects representative of marriage and domesticity alongside a supreme court document and Loving v. Virginia protest imagery, this block depicts how love itself has become a highly politicized issue defenseless against the noxious gass of racism and hatred. This block also reminds the viewer that even today we must not take our rings and keys, and the people we love, for granted; for there once was a time when even the love we feel for our family was unlawful in the eyes of our constitution.
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Date Created
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2017
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PID
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grinnell:25516
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Title
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Presidential Election Panel
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Description
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Poster advertising a panel discussion on the 2012 Presidential election held on October 8, 2012, with panelists Barb Trish, Kathie Obradovich, and David Shribman and sponsored by the Rosenfield Program.
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Date Created
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2012
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PID
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grinnell:5241
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Title
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The First Meeting
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Description
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This piece aims to juxtapose Iowa’s progressive aims with its oppressive past. The centerpiece of this block is a poster publicizing an anti-slavery meeting which took place in Iowa. While anti-slavery meetings such as this one were necessary in the push towards abolition, the artist urges Iowans to explore their state’s relationship to slavery on a deeper level. The artist has incorporated chain-like strands of metal to symbolize the bondage of enslaved peoples, and depictions of genetic material captures the implications of slavery for actual living organisms. While Grinnellians may sometimes put their town on a pedestal for its historic abolitionist position and refusal to join the Confederate Army, this block calls attention to the pain and suffering that still occurred in this state at the hands of racism and white supremacy.
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Date Created
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2017
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PID
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grinnell:25483
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Title
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Windows
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Description
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This block depicts four distinct scenes, yet they are part of the same world. Placid scenes of rural and urban Iowa, set side by side alongside depictions of white Iowans in the process of buying and selling African people. This goal of this block is to challenge the illusion of innocence that has colored our reality of slave auctions and all other dehumanizing and violent aspects of the slave trade. The juxtaposed images of Iowan rural life and images of the Iowan slave trade evokes tension and conflict under an apparent calm. In what ways are we complicit in this calm, and in what ways can we challenge it?
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Date Created
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2017
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PID
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grinnell:25496
