This essay comapres Francisco Goya's royal portraits with 18th Century Mexican Casta paintings and argues that Goya was influenced by the earler Mexican style.
This essay contends that Milton's critique of Sin and Death, and allegory more generally, lies in their relation to his system of signs and the epistemological value of those signs.
This essay examines how the musical sense of national identity that French composers had formed before World War II was influenced or changed by the Nazi occupation of France.