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Title
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Americans in Paris: Through the Looking Glass, Tutorial, Fall 2002
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Description
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This semester we will journey to Paris through the eyes of Americans. From the founding fathers of the United States to the most recent winner of the Tour de France, from jazz musicians and painters to the most prominent writers of the century, Americans have influenced and been influenced by their encounters with Paris.
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Date Created
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2002
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PID
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grinnell:3429
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Title
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Frankenstein's Monsters: the Creation of Horror & the Horror of Creation
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Description
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The first year tutorial, taken in the fall semester, is Grinnell College's only general academic course requirement. The college intends the tutorial to assist students in further developing their critical thinking skills and in improving their written and oral communication skills. Each of the tutorials offered in a given fall semester is based around a particular subject matter, which provides the vehicle by which the above goals are accomplished. Fairy tales and horror stories are used to learn about literary analysis.
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Date Created
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2002
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PID
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grinnell:3441
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Title
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Grinnell College Tree Guide, South Campus, North Campus
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Description
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"Prime movers in the conception and production of this campus tree map for the bicentennial anniversary of Grinnell College were Don Snook, '49, and Stan Hall, '49."
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Date Created
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1996
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PID
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grinnell:3589
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Title
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Managing the Faithful: The Internal Labor Market of the Roman Catholic Church, Internal Labor Market of the Roman Catholic Church
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Description
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Although economists in recent years have begun to apply economic theory to the activities of religious organizations, very few have ventured deeply into the realm of the Roman Catholic Church and almost none have considered the confluence between Internal Labor Market Theory and the promotional job ladder for ordained Catholic clergyman. This analysis explores the implications of the Catholic Church’s internal promotional ladder on its level of theological flexibility and hence its ability to adjust to changing market conditions. Specifically, by treating the Catholic Church as an organization subject to many of the same market forces as ordinary business firms, the research presented in this analysis shows how much of the “crisis” the church is confronting in the modern era—such as the rapid decline in the number of priests—can be explained by microeconomic structures that have developed over the past two millennia. At the broadest level, this analysis offers a new paradigm for viewing resistance to change in the church and provides a model for understanding the long-term implications of inflexibility on the viability of the church as an institution.
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PID
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grinnell:31983
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Title
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New Queer Cinema Today: Film and the critique of neoliberalism, Film and the critique of neoliberalism
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Description
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In 1992, B. Ruby Rich coined the term New Queer Cinema to describe a cycle of films in the late 1980s and early 1990s that broke with conventional cinematic practices to show rethought subjectivities, generic subversions, and revised histories. New Queer Cinema, however, saw little of the same bursts of innovative directors and their films after 1992. This lag in revolutionary filmmaking left many evaluating queer cinema’s current state, even mourning the supposed end of New Queer Cinema. In this paper, I argue that queer filmmaking is not void of revolutionary potential; it is more that the driving force behind these films has changed. Instead of acting in opposition to a conservative government that failed to respond to the AIDS crisis, current queer work resists the normalizing effects of today’s neoliberal government. A cycle study of recent queer films reveals this driving revolutionary force.
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Date Created
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2012
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PID
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grinnell:3419