Search results | Digital Grinnell

Title: Captured
Description: This block aims to capture the ironic nature of the institution of slavery. This block includes an image of slaves on a plantation, framed by various found objects. The artist has incorporated a crucifix into the design, signifying the use of christianity as a means justify the enslavement of bodies. The image conjures a feeling of darkened antiquity and tarnish, further accentuated by rusty keys and other metal objects which surround the photograph, alluding to how the people in the image were utilized for the purpose of profit and industry with no attention paid to their human needs. When we consider visualizing freedom we must consider the nexus of capital and material and its effects on the enslaved body, a topic unfortunately still relevant in capitalist America today.
Date Created: 2017
PID: grinnell:25485

Title: Foundations
Description: When confronting the reality of plantation slavery in America, aspects of life which seemed normal in the early 1880’s are often difficult to conceptualize today. In this block, the artist calls attention to the tradition of child raising, in which slaves were given the task of nursing and raising their master’s progeny. It seems counter-intuitive that one could believe a slave so unworthy of human dignity, yet at the same time entrust them with the life of their child. In this block, a portrait of a slave with their master’s baby is framed by a pattern comprised of enlarged images of a human cell, encouraging a contemplation of the hypocrisies present in the theoretical foundations of slavery, including the supposed biological and intellectual inferiority of black people. Most often, slaves bore responsibilities foundational to the prosperity and functioning of their owners; they were worthy of motherhood but not the recognition of full humanity. By featuring a female-bodied slave in this block, the artist also pushes the viewer to contemplate the highly gendered nature of slave work and how it reveals inconsistencies in the theoretical foundations of racial superiority in America.
Date Created: 2017
PID: grinnell:25493

Title: From Prosecution to Presidency
Description: “A Great Grandson of Slaves Leads Grinnell College” reads the title of an interview on Iowa Public Radio with current Grinnell College President Raynard Kington. This block is centered around an image of Kington’s ancestors, forcing viewers to contemplate the journey from slavery to abolition. Though the 13th amendment may have legally abolished slavery in 1865, the path towards freedom has yet to be fully realized. To this day, the legacy of slavery is a prominent and undeniable feature of American institutions and identity. In this block, the artist used many embellishments and layered images to represent the many lenses and layers through which we examine our complex and overlapping histories. In some instances, stories obscure and silence others. In other cases, they bring new dimensions to known histories and help us re-examine our past. The artist’s hope is that this artwork will lead viewers to examine what lenses they might ascribe to their personal histories relating to slavery and abolition.
Date Created: 2017
PID: grinnell:25486

Title: Generations
Description: This block depicts two parallel scenes: the photograph on the right captures a class of school children, and the photo on the left shows a group of people at some celebration. The figures in the photo on the left are wearing formal attire even as some kneel in the grass in the foreground. Is this really a celebration? If so, what are they celebrating? Although it is difficult to ascertain who these people are and why their photographs were being taken, the two photographs call to mind the nonstop progression of generational change. The polka-dots, stars, and diamond-shaped flower petals appear to rotate around the two photographs in a circular motion, creating the sensation of a whirlpool in constant revolution. In what ways do generational shifts impact how we visualize freedom today?
Date Created: 2017
PID: grinnell:25484

Title: The Father of Grinnell
Description: Grinnell’s history in relation to slavery often points to the man pictured in this block. J.B. Grinnell was a known advocate of abolition, and founded the very town of Grinnell on anti-slavery principles. He worked with the Underground Railroad to help slaves escape to Canada and served in Iowa’s Congress, even though his views on abolition made him quite unpopular amongst many Midwesterners. In the process of researching the life of J.B. Grinnell, the creator of this block was directed to a letter written by L.F. Parker describing an “incipient mob” driving five fugitive slaves out of the town of Grinnell. This letter encourages us to unpack the many layers of white abolitionist intention, and make distinctions between theory and action. While J.B. Grinnell had clearly intended for his town to be a space to live the tenets of the abolitionist movement, in practice this was not always the case. By showcasing this story, the artist urges viewers to contemplate the many phases and evolutions of freedom and abolition, knowing that good intention has yet to be enough.
Date Created: 2017
PID: grinnell:25487

Title: The Greatest Lie
Description: This block was created around the theme of agriculture, an industry inextricably linked to slavery in both the Caribbean and the United States. To echo themes of agriculture, the artist included images of the cotton plant, as well as organic shapes which resemble flowers, seeds, and other found natural objects. Corn kernels, buttons, and leaves unite the realms of the home and the outdoors, as was often the case on a working plantation. The center photograph depicts slaves on a cotton plantation engaging in agricultural work, however the workers are not in motion but are posted in a triangular composition facing the photographer. The second photograph is also from a plantation, yet the subjects are household workers as opposed to field hands. These images both show life on the plantation, but only to an extent; they are purposefully arranged and therefore tell a very different story than a candid photograph might tell. These juxtaposed images are symbolic representations of the censorship applied to stories of slavery in American culture and education.
Date Created: 2017
PID: grinnell:25488

Title: The Journey
Description: This block was created around the theme of the journey. We all go through different journeys in our lives, some longer and more challenging than others, but every journey is important and demands courage and strength. This block honors those who were challenged by a specific journey unique to American history and relevant, even more specifically, to the state of Iowa; the story of the Underground Railroad. This block is comprised of a map of the Underground Railroad in the South, framed by a smattering of screws, pill capsules, buttons, stars, and other found objects. It also includes a photograph of the Lewelling House, a popular anti-slavery meeting house and renown safe stop on the Underground Railroad in an area of the Midwest particularly unfriendly to slaves and freed blacks during the years before the Civil War. Although the area of the South portrayed in the map is, of course, miles from the Lewelling House, the experience of black people in America is part of our entire country’s history, not just the areas most ravaged by institutional slavery and injustice. Although we often associate slavery with the American South, we must not forget that slavery was a national issue which demanded the attention of every city, small town, and individual, much like issues of racism still demand every person’s attention, no matter their race, today. The strewn nails and capsules surrounding the images in this block allude to journeys of different kinds, both physical and emotional. As our eyes follow the paths drawn by these loose objects we may be reminded of journeys we have taken in our own lives.
Date Created: 2017
PID: grinnell:25495

Title: The Lewelling House
Description: The goal of this block is to awaken in the viewer the historical ache that is the legacy of slavery in Iowa. Superimposed over an image of Iowa is a road map of the Underground Railroad, with squares and circles placed along the routes to indicate safety for runaway slaves. In the upper right hand corner of the state the artist has placed an image of the Lewelling house of Henry County, Iowa, a meeting place for abolitionist activists and one of the stops on the Underground Railroad. The stones and flowers which surround Iowa, vibrant and glimmering, allude to the power of preservation. With preservation in mind, we must ask ourselves: How can artists and activists revisit the historical bondage of our ancestors while attempting to move onwards to freedom? J.B. Grinnell founded Grinnell with abolition as one of his key tenets. As we peer into the history of Iowa we confront the question of whether Grinnell College continues to protect the freedom of the individual, or whether we have fallen into neoliberal agendas that serve our oppressors. The evocation of discomfort through the topic of slavery serves as a reminder of the necessity to reimagine the realities of imperialism within and without the U.S.
Date Created: 2017
PID: grinnell:25482