In this paper, I map out an analysis of two queer films: Bruce LaBruce’s The Raspberry Reich (2004) and Ulrike Ottinger’s Freak Orlando (1981). I examine both films’ representations of revolutionary desire and contextualize these images within the framework of the antisocial turn in queer theory.
This paper analyzes the effects of higher international commodity prices and taxes on the Honduran economy using a dynamic recursive computable general equilibrium (CGE) model developed by the International Food Policy Research.
