Figural drawings inspired by the non representational marbled ground. Lovers was part of a series of works devoted to merging representational drawing with complete abstraction. It began as a water marbled image covered later with ink illustrations, then photographed and manipulated digitally. Finally, it was reprinted on archival paper.
This wood sculpture explores the invisible tension and balance needed in conversing with others. Constructed as a seesaw, this sculpture can only maintain balance when two people are sitting.
This mixed media drawing explores the connection between the body and understanding gender and sexuality through psychoanalytic theory. By combining an abject representation of a body with humorous text, it presents both the frustration and joy that comes with applying critical theory to physical existence.
This work comes out of the desire to produce a visual representation of the wounds Indigenous women have faced in postcolonial society and show through the healing process that their dreams and realization of the future can be made. Utilizing traditional weaving methods to create dreamcatchers, I wanted to combine that method with embroidery and color.
