This is an essay chronicling the history of the black studies major at Grinnell College, with an emphasis on the reasons it had such a short career. It also provides an overview of the CBS (Concerned Black Students) Manifesto of 1971.
Figural drawings inspired by the non representational marbled ground. Lovers was part of a series of works devoted to merging representational drawing with complete abstraction. It began as a water marbled image covered later with ink illustrations, then photographed and manipulated digitally. Finally, it was reprinted on archival paper.