Discusses the connections between Maya Deren's film Meshes of the Afternoon and her role within the history of the American avant-garde.
creator
Geller, Theresa L (Faculty/Staff)
Title
The Personal Cinema of Maya Deren : Meshes of the Afternoon and its Critical Reception in the History of the Avant-garde
Alternative Title
Meshes of the Afternoon and its Critical Reception in the History of the Avant-garde
supporting host
Grinnell College. English
Index Date
2006
Publisher
Grinnell College
Genre
Essays
Digital Origin
reformatted digital
Extent
22pages
Media Type
application/pdf
citation/reference
Geller, Theresa. 'The Personal Cinema of Maya Deren: Meshes of the Afternoon and its Critical Reception in the History of the Avant-garde'. Biography: and interdisciplinary Journal; vol. 24; no. 1, winter 2006, p 140-158.
Language
English
Topic
Film criticism
Topic
Meshes of the afternoon (Motion picture)
Temporal
21st century
Classification
PN
Related Item
Faculty Scholarship
Related Item
Scholarship at Grinnell
Related Item
Digital Grinnell
Identifier (hdl)
http://hdl.handle.net/11084/3407
Identifier (local)
grinnell:3407
Access Condition
Copyright to this work is held by the author(s), in accordance with United States copyright law (USC 17). Readers of this work have certain rights as defined by the law, including but not limited to fair use (17 USC 107 et seq.).
